John oswald plunderphonics essay format

So I hear John Oswald's version of Dolly Parton's version of The Great Pretender, effectively a recording of Oswald playing Parton's single once through, transformed via varispeed media (first a high speed cassette duplicator, then an infinitely variable speed turntable, finally a handcontrolled reeltoreel tape all seamlessly edited together).

" Plunderphonics, or Audio Piracy as a Compositional Prerogative" as presented by John Oswald to the Wired Society ElectroAcoustic Conference in Toronto in 1985. Musical instruments produce sounds. Plunderphonics is any music made by taking one or more existing audio recordings and altering them in some way to make a new composition. The term was coined by composer John Oswald in 1985 in his essay Plunderphonics, or Audio Piracy as a Compositional Prerogative.

Plunderphonics can be considered a form of sound collage. John oswald essay plunderphonics Essay title page in mla format essay aqa a level english language and literature coursework work worksheet important essays for css John oswald plunderphonics essay writing giangtran. com John Plunderphonics is a term coined by composer John Oswald in 1985 in his essay Plunderphonics, or Audio Piracy as a Compositional Prerogative.

It has since been applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition.

Plunderphonics is a term invented by John Oswald in his essay, Plunderphonics, or Audio Piracy as a Compositional Prerogative, and refers to the compositional technique of utilising and manipulating one or more preexisting audio sources to " On GRAYFOLDED (fony) plunderphonics composer John Oswald's 1995 double disc length 'cover' of The Grateful Dead's most spacebound vehicle plundered and spliced together more than four decades of live Dead versions into one definitive, maximalist version.

Oswald created orchestras of timewarped Jerry Garcias loosing waterfalls of some other sources) feels the same as reading articles regarding plunderphonics; there are 1 John Oswald, Plunderphonics, or Audio Piracy as a Compositional Prerogative, Musicworks 34 (Spring 1986): 58 2 Greg Kot, Ripped: How the Wired Generation Revolutionized Music (New York: Scribner, 2009), 164.

" Plunderphonics" is the term he created in a 1985 essay on the subject to describe his technique of sampling or" electroquoting. " The accompanying album of the same title is comprised of songs made entirely of such electroquotes, which he distributed for free like a Canadian avantgarde precursor to Girl Talk. Plunderphonics is a term coined by composer John Oswald in 1985 in his essay Plunderphonics, or Audio Piracy as a Compositional Prerogative.

It has since been applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition.



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